Multimedia guru Ed Giles, Contact Press Images Robert Pledge and myself, helped run a successful workshop put on by Masterclass veterans and renowned photojournalists Jack Picone and Stephen Dupont during the Reportage Festival in Sydney, November, 2010. Join Jack and Steve at the Kathmandu/Nepal Masterclass July 11-16 2011.
I have been invited to Judge the Nikon International Photo Contest in Tokyo in February. I am really looking forward to it, as I have not been to Japan since shooting a two week assignment for Le Monde during the World Cup in 2002. This was officially the first time I was required to use a digital camera in order to meet the paper’s deadlines. A Nikon D1x had been shipped from Paris to Tokyo and was waiting for me when I arrived. Learning how to use that new technology on the job was both an eye-opener, and a glimpse into the future. My very first camera was an FM. My second an F2 (with motor-drive attached it looked like a block of flats). I have always relied on Nikon, adding a Leica for those times when getting the shot required discretion. Now if I can only convince Nikon to put their impressive D3s technology inside a silent rangefinder style body with a 35mm f2 lens. What an addition that would make to an already influential lineup.
Emphas.is captured my attention with the questions ‘What if you were on Robert Capa’s email list in 1944?′ and ‘what if Don McCullin was blogging from Vietnam?’. Then offered ‘Now imagine if you’d sent them there yourself.’
They add: “Emphas.is is a new and innovative platform for photojournalism. It proposes a unique bond between photojournalists and their audience, and in the process aims to create a new financial model for photojournalism in the 21st century.” Photojournalism is not dead, it is evolving, and Emphas.is could be the best example yet of that.
The other platform of note is Kickstarter, and if all of this seems a little confusing, the British Journal of Photography sheds some light on this ‘cutting out the middle-man’ phenomena with Olivier Laurent’s article: Crowd-funding: With a little help from my friends.
Nil to do with photojournalism, just me dreaming that if I’d been around Paris back then, a great night out would have been knocking back a magnum with Capa, while trading licks with Django.
A couple of excellent reviews of the first of a series of books – WAR: A °SOUTH Collection #1
“I posed one question to photographers I have met all over the world, after the untimely passing of my sister, Jeanne, and last member of my nuclear family: “share with me one photograph that says to you, MERCY” – James Whitlow Delano
James is a friend, fine photographer and all around nice guy. 118 photographers from 28 countries helped create this beautiful book.
Rediscovered Spanish Civil War negatives by Robert Capa, David ‘Chim’ Seymour, and Gerda Taro — this is one exhibition I would love to see: International Center of Photography
Images of War, Finally Unpacked – Art Review, The New York Times
The Mexican Suitcase – ICP Resource
The extraordinary Larry Burrows – from the movie “Reporters De Guerre” by Patrick Chauvel
Classic LIFE Magazine photo-essay: One Ride With Yankee Papa 13
An interesting article on photojournalism by the Sydney Morning Herald’s Linda Morris.